Reviews

Review

“The earth is soaked with sweetness”: A Review of Levyosn’s Dream

Levyosn’s Dream is a model for what translators can do in musical community.

Review

Yiddish Veršes: How Musical Imagination Can Become Political

Yiddish Veršes, released in May 2025, is one of the most ambitious projects to bring Yiddish-language literary heritage back into contemporary Belarusian culture.

Review

Past-continuous: New Sound Worlds of Klezmer: A Review of Jake Shulman-Ment and Abigale Reisman’s Two Strings/Tsvey Strunes and Zoë Aqua’s In a Sea of Stars

These two new releases stand out as shining achievements of the second wave of the American klezmer revival/revitalization movement.

Review

Review of New York Klezmer in the Early Twentieth Century by Joel E. Rubin

Despite the shifting status and popularity of this Ashkenazi instrumental music and its musicians, Joel Rubin is, surprisingly, the first researcher to devote serious and sustained attention to one of its most important and productive periods: New York in the 1920s, and in particular the remarkable—and nowadays canonical—recordings of its two best-known and most influential figures, Dave Tarras (1895/7-1989) and Naftule Brandwein (1884-1963).

Review

Labor, Love, and Life in Immigrant London

In this groundbreaking study, Lachs draws upon often ignored documents of popular culture (conventionally written off as shund by her predecessors) in order to paint a vivid picture of working class immigrant London at the turn of the 20th century.

Review

Charlie, [gesturing to Fascist General Franco on screen] fucking swine isn’t he?

William Pimlott reviews Gill Tofell’s Jews, Cinema and Public Life in Interwar Britain and Alan Dein’s Music is the most beautiful language in the World: Yiddisher Jazz in London’s East End 1920s-1950s.

Review

Review of Convergence, an Album of Multi-Diasporic Musical Longing by Anthony Russell and Veretski Pass

Anthony Russell, in collaboration with Veretski Pass (Joshua Horowitz on piano, Cookie Segelstein on fiddle, and Stuart Brotman on cello), intertwines Jewish Eastern Europe folk music and African American spiritual traditions.

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