“memory”

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Feminist Dybbuks in Melbourne: Possession, Desire and Voice

Nicola Menser Hearn

In August 2018, Australian theatre maker and director Samara Hersch, along with Chamber Made, a company operating at the ‘nexus of contemporary performance, music and sound’, presented Dybbuks – a production in three acts exploring ideas of possession; of women being with the dead; of desire, ritual, and voice. Here, Nicola Menser Hearn reviews the production and discusses it with Hersch.


Blog

The Problem of Materiality in Yiddish Translation

Sarah Ponichtera

In the second essay in our series of reflections on translating Yiddish in the twenty-first century, Sarah Ponichtera thinks about how we can bring a sense of materiality to our translations.