CONTRIBUTOR

Jeremiah Lockwood

Jeremiah Lockwood is a scholar and musician, working in the fields of Jewish studies, performance studies and ethnomusicology. He is currently a Research Fellow at the Lowell Milken Center for Music of American Jewish Experience at UCLA. His work engages with issues arising from peering into the archive and imagining the power of “lost” forms of expression to articulate keenly felt needs in the present. His first book, Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era, came out with University of California Press in 2024. Jeremiah was a 2023-24 UPenn Katz Center Fellow, where he conducted research on early 20th century women cantors and worked on developing his second book on gramophone era cantorial culture. He has recorded more than a dozen albums over a music career that spans decades, with his band The Sway Machinery and other projects.

RELATED ARTICLES

Article

Prayer and Crime: Cantor Elias Zaludkovsky’s Concert Performance Season in 1924 Poland

Jeremiah Lockwood

In his concert career Zaludkovsky walked a fine line between performing the sacred identity of cantor and falling into the forms of cultural crime that he himself had identified as corrupting tradition through excessive commercialization and mediatization of sacred music.


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